| Few writers can describe more effectively the horrors of prison - the Animal Factories that turn minor offenders into hardened criminals and murderers - than Edward Bunker. This is the first and only of his books that takes place entirely inside the walls of a prison. I expected more. Bunker's weakness has always been his dialogue. "The Animal Factory" features his worst attempts at writing dialogue. His descriptions of prison life are vivid and real. The words he forces into his character's mouths bring the flow of the narrative to a screeching halt. This is particuarly pronounced in the relationship between the new arrival - a young man who has been sentenced on a drug charge - and the hardened convict who befriends him, a relationship that doesn't ring true. "The Animal Factory" is not without its merits. As we see the young convict, Ron, change his values and actions in order to survive, it's hard not to view prison as anything but a another phase in the making of a career convict. Bunker effectively portrays prison as a breeding ground for a more violent, desperate brand of criminal. Unfortunately, the weaknesses of this book outweigh the merits. For readers who have heard of Bunker but have not yet read him, I wouldn't recommend "The Animal Factory" as a starting point. Try "Little Boy Blue" - Bunker's best work - instead. |